Trends Popular Progressions
TheoryTab / Taio Cruz / Dynamite
Dynamite
Song Analysis

Dynamite Chords and Melody

Dynamite
Dynamite – Pre-Chorus
Dynamite – Chorus
Dynamite – Bridge

Related Music Concepts

Basic Chords
Chords naturally found in the key
Song Stats Pre-Chorus
Key E Major
Tempo 120 BPM
Meter 4/4
Genre Pop, Dance
Melody Range B3 – G#4
Mood Simple, Classic, Bright
Most Used Chord vi
Chord Complexity 9
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 38
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 37
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 10
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats Chorus
Key E Major
Tempo 120 BPM
Meter 4/4
Genre Pop, Dance
Melody Range B3 – G#4
Mood Smooth, Simple, Classic, Bright
Most Used Chord vi
Chord Complexity 9
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 41
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 23
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 10
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats Bridge
Key E Major
Tempo 120 BPM
Meter 4/4
Genre Pop, Dance
Melody Range B3 – G#4
Mood Tense, Simple, Classic, Bright
Most Used Chord V
Chord Complexity 11
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 41
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 63
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 19
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats All Sections
Key E Major
Tempo 120 BPM
Meter 4/4
Genre Pop, Dance
Melody Range B3 – G#4
Mood Simple, Classic, Bright
Most Used Chord V
Chord Complexity 7
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 39
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 39
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 10
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts

About Dynamite

About the Chord Progressions

Section Progression Songs with this progression
Pre-Chorus
vi V I IV
I Was A Fool by Tegan and Sara
Gaucho by Steely Dan
Vuelie by Frode Fjellheim
Unwell by Matchbox 20
Whiskey Lullaby by Brad Paisley and Alison Krauss
100 Years by Five For Fighting
Massachusetts by Ylvis
630 songs →
Chorus
vi V I IV
More Than A Feeling by Boston
I'm Looking Through You by The Beatles
Tiny Dancer by Elton John
Winter Wrap Up by My Little Pony
The Way I Am by Ingrid Michaelson
Canciones de Amor by Julieta Venegas
Bruises by Train
630 songs →
Bridge
iii V vi IV I V
Old Money by Lana Del Rey
All For Love by Tungevaag Raaban
Backslide by Twenty One Pilots
3 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞
B3 – G#4
Melody range across 9 semitones
0.78 beats/note
Across 134.5 beats of melody
Stepwise Motion
Jumpiness
Repeaty
100% Diatonic
Percentage of notes within the song's key.
69% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Edgy Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
7
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 7/100 — below average
Melodic Complexity
39
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 39/100 — below average
Chord-Melody Tension
39
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 39/100 — below average
Chord Prog. Novelty
10
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 10/100 — below average
Chord-Bass Melody
31
Measures the melodic movement of the bass notes across chord changes.
Percentile: 31/100 — below average

Metrics Radar Chart

DynamiteAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.