Trends Popular Progressions
TheoryTab / Vampire Weekend / Classical
Classical
Song Analysis

Classical Chords and Melody

Classical
Classical – Pre-Chorus
Classical – Chorus

Related Music Concepts

Basic Chords
Chords naturally found in the key
Extended Chords
Stacking thirds beyond the 7th to create more complex sounds
Song Stats Pre-Chorus
Key C Major
Tempo 111 BPM
Meter 4/4
Genre Rock, Classical/Orchestral, Experimental/Avant-Garde
Melody Range A3 – G4
Mood Tense, Simple, Bright
Most Used Chord I
Chord Complexity 13
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 49
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 69
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 27
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats Chorus
Key C Major
Tempo 111 BPM
Meter 4/4
Genre Rock, Classical/Orchestral, Experimental/Avant-Garde
Melody Range A3 – E4
Mood Unexpected, Bright
Most Used Chord I
Chord Complexity 65
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 31
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 40
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 61
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats All Sections
Key C Major
Tempo 111 BPM
Meter 4/4
Genre Rock, Classical/Orchestral, Experimental/Avant-Garde
Melody Range A3 – G4
Mood Bright
Most Used Chord I
Chord Complexity 42
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 39
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 55
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 42
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About Classical

About the Key

𝄞
C Major
It is the most common key in all of popular music. Major keys, along with minor keys, are a common choice for popular songs.
I  IV  V
Most Important Chords
The three most important chords, built off the 1st, 4th and 5th scale degrees are all major chords (C Major, F Major, and G Major).
C Major Cheat Sheet
Popular chords, progressions, downloadable MIDI files and more

About the Chord Progressions

Section Progression Songs with this progression
Pre-Chorus
I V ii iii
After Midnight by Chappell Roan
The Bird Chirps I Sing by Go Shiina
Take A Back Road by Rodney Atkins
James by MGMT
Anything But Down by Sheryl Crow
The Group Mind Has Decided You're In Love by Crazy Ex-Girlfriend Cast
Death by Glamour by Toby Fox
65 songs →
Chorus
I V ii iii11
Kisses by Fish Leong
Bye Bye Baby by OK Go
Shedding Tears (All Over the Place) by Bryan Scary
Please Please Please by Sabrina Carpenter
The Vision by Exuma
Bluebird by Lana Del Rey
The Jetsons SNES - Stage 1 by Hideki Takahagi and Mitsuhito Tanaka
65 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞
A3 – G4
Melody range across 10 semitones
1.14 beats/note
Across 64.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
100% Diatonic
Percentage of notes within the song's key.
65% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
42
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 42/100 — below average
Melodic Complexity
39
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 39/100 — below average
Chord-Melody Tension
55
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 55/100 — above average
Chord Prog. Novelty
42
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 42/100 — below average
Chord-Bass Melody
28
Measures the melodic movement of the bass notes across chord changes.
Percentile: 28/100 — below average

Metrics Radar Chart

ClassicalAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.
Contributed by
Last modified by
fender
Oct 16, 2024
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TheoryTab is the world's largest database of songs analyzed by their chord progressions and melodies. Each entry breaks a song into its harmonic and melodic components using relative notation, making it easy to see the music theory behind any song.
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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.