Trends Popular Progressions
TheoryTab / Evil Arrows / The Lovers
The Lovers
Song Analysis

The Lovers Chords and Melody

The Lovers
The Lovers – Verse
The Lovers – Chorus
The Lovers – Chorus Lead-Out

Related Music Concepts

Seventh Chords
Adding one more note to the basic chords
Suspended Chords
A chord with built in tension and release
Add Chords
A chord with an added tone that enriches its sound
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Secondary Chords
Chords that temporarily shift the harmonic center
Song Stats Verse
Key G Major
Tempo 145 BPM
Meter 4/4
Melody Range D4 – E5
Mood Tense, Upbeat, Bright
Most Used Chord vi
Chord Complexity 27
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 84
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 69
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 53
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Key G Major
Tempo 145 BPM
Meter 4/4
Melody Range D4 – G5
Mood Tense, Upbeat, Bright
Most Used Chord bVI
Chord Complexity 57
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 88
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 90
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 38
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats Chorus Lead-Out
Key G Major
Tempo 145 BPM
Meter 4/4
Melody Range D4 – G6
Mood Simple, Upbeat, Bright
Most Used Chord I
Chord Complexity 18
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 55
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 27
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 30
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Key G Major
Tempo 145 BPM
Meter 4/4
Melody Range D4 – G6
Mood Tense, Upbeat, Bright
Most Used Chord I
Chord Complexity 34
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 82
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 69
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 39
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About The Lovers

About the Key

About the Chord Progressions

Section Progression Songs with this progression
Verse
I V7 I IV I V vi
Red Dirt Road by Brooks and Dunn
The Days by Avicii
Back Home by Andy Grammer
I Wish by Eisley
The Ballad of Lucy Gray Baird by Rachel Zegler
Lay You Down Easy by MAGIC
Jump On My Shoulders by Awolnation
40 songs →
Chorus
♭vi I
Since You've Been Gone by Weird Al Yankovic
What You Are by Sheena Easton
Warner Bros logo by Herman Hupfeld
Milliontown by Frost
Stars Come Out by Zedd
Welkenraedt by Yevgueni
Sk8er Boi by Avril Lavigne
554 songs →
Chorus Lead-Out
I vi I IV I V
Pomp and Circumstance March No 4 by Edward Elgar
Live Like We're Dying by Kris Allen
Dancing With Character by Rae Morris
Hang On by Guster
Orgy For One by Ninja Sex Party
I Love College by Asher Roth
Freewill by Rush
24 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞
D4 – G6
Melody range across 29 semitones
1.00 beats/note
Across 131.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
94% Diatonic
Percentage of notes within the song's key.
70% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
34
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 34/100 — below average
Melodic Complexity
82
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 82/100 — above average
Chord-Melody Tension
69
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 69/100 — above average
Chord Prog. Novelty
39
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 39/100 — below average
Chord-Bass Melody
49
Measures the melodic movement of the bass notes across chord changes.
Percentile: 49/100 — below average

Metrics Radar Chart

The LoversAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.