Trends Popular Progressions
TheoryTab / Green Day / Walking Alone
Walking Alone
Song Analysis

Walking Alone Chords and Melody

Walking Alone
Walking Alone – Intro
Walking Alone – Verse
Walking Alone – Chorus

Related Music Concepts

Basic Chords
Chords naturally found in the key
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Song Stats Intro
Key G Major
Tempo 113 BPM
Meter 4/4
Genre Rock, Punk/Hardcore
Melody Range B3 – G4
Mood Smooth, Simple, Classic, Bright
Most Used Chord I
Chord Complexity 11
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 29
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 17
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 15
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats Verse
Key G Major
Tempo 113 BPM
Meter 4/4
Genre Rock, Punk/Hardcore
Melody Range A3 – F#4
Mood Smooth, Simple, Classic, Bright
Most Used Chord I
Chord Complexity 6
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 14
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 18
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 8
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats Chorus
Key G Major
Tempo 113 BPM
Meter 4/4
Genre Rock, Punk/Hardcore
Melody Range E3 – E4
Mood Bright
Most Used Chord IV
Chord Complexity 45
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 83
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 34
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 40
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats All Sections
Key G Major
Tempo 113 BPM
Meter 4/4
Genre Rock, Punk/Hardcore
Melody Range E3 – G4
Mood Smooth, Simple, Bright
Most Used Chord IV
Chord Complexity 23
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 46
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 20
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 21
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About Walking Alone

About the Key

About the Chord Progressions

Section Progression Songs with this progression
Intro
I vi
The Heart of Life by John Mayer
Like A Prayer by Madonna
Just The Way You Are by Bruno Mars
If We Hold On Together by Diana Ross
Some Nights by Fun
Tiny Dancer by Elton John
Don't Know Why by Norah Jones
6,871 songs →
Verse
I vi IV V
Slow Down by Myla Smith
Ooh La La by Britney Spears
Total Eclipse of the Heart by Bonnie Tyler
Stand By Me by Ben E King
Big Bang Theory Theme Song by Bare Naked Ladies
Doctor Worm by They Might Be Giants
Folding Chairs by Regina Spektor
911 songs →
Chorus
IV V
Home by Daughtry
If We Hold On Together by Diana Ross
Jupiter by Ayaka Hirahara
Say Yes by Elliott Smith
Mardy Bum by Arctic Monkeys
The Veldt by deadmau5
Come On Over by Christina Aguilera
12,068 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞 𝄢
E3 – G4
Melody range across 15 semitones
0.76 beats/note
Across 80.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
98% Diatonic
Percentage of notes within the song's key.
77% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Edgy Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
23
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 23/100 — below average
Melodic Complexity
46
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 46/100 — below average
Chord-Melody Tension
20
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 20/100 — below average
Chord Prog. Novelty
21
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 21/100 — below average
Chord-Bass Melody
25
Measures the melodic movement of the bass notes across chord changes.
Percentile: 25/100 — below average

Metrics Radar Chart

Walking AloneAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.