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TheoryTab / Green Day / Jesus of Suburbia V - Tales of Another Broken Home
Jesus of Suburbia V - Tales of Another Broken Home
Song Analysis

Jesus of Suburbia V - Tales of Another Broken Home Chords and Melody

Jesus of Suburbia V - Tales of Another Broken Home
Jesus of Suburbia V - Tales of Another Broken Home – Verse
Jesus of Suburbia V - Tales of Another Broken Home – Chorus
Jesus of Suburbia V - Tales of Another Broken Home – Solo
Jesus of Suburbia V - Tales of Another Broken Home – Outro

Related Music Concepts

Basic Chords
Chords naturally found in the key
Non-Standard Mode
New scales and home base chords for a different mood
Inverted Chords
Using a different bass note to change a chord's sound
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Diminished Chords
A chord built from stacked minor thirds — dark and unstable
Song Stats Verse
Tempo 195 BPM
Meter 4/4
Genre Punk
Melody Range Bb3 – F4
Mood Simple, Classic, Upbeat
Most Used Chord I
Chord Complexity 24
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 10
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 51
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 8
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Tempo 195 BPM
Meter 4/4
Genre Punk
Melody Range Ab3 – F4
Mood Smooth, Complex, Unexpected, Upbeat
Most Used Chord IV
Chord Complexity 93
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 20
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 22
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 75
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Solo
Tempo 195 BPM
Meter 4/4
Genre Punk
Melody Range Db4 – Bb4
Mood Complex, Unexpected, Upbeat
Most Used Chord IV
Chord Complexity 94
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 93
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 35
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 76
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Outro
Tempo 170 BPM
Meter 4/4
Genre Punk
Melody Range G3 – F4
Mood Tense, Simple, Classic, Upbeat, Bright
Most Used Chord I
Chord Complexity 15
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 58
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 66
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 6
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Tempo 195 BPM
Meter 4/4
Genre Punk
Melody Range G3 – Bb4
Mood Complex, Upbeat
Most Used Chord IV
Chord Complexity 74
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 56
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 42
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 42
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About Jesus of Suburbia V - Tales of Another Broken Home

About the Chord Progressions

Section Progression Songs with this progression
Verse
I VII IV
Unwritten by Natasha Bedingfield
Escape From The City by Crush 40
The Look by Roxette
Gold On The Ceiling by The Black Keys
Desire by U2
All That She Wants by Ace of Base
I Just Can't Stop Loving You by Michael Jackson
601 songs →
Chorus
IV V(maj)
Operation C Ending Theme by Konami
Nothing Compares 2U by Sinead O'Connor
Tsunami by Manic Street Preachers
It's Bugsnax by Kero Kero Bonito
I Want to Be the Boy to Warm Your Mother's Heart by The White Stripes
Gym by Game Freak
Daichi Grasslands - Spectrobes by Masahiko Kimura
128 songs →
Solo
IV V(maj)
Love Today by MIKA
Get Ready For This by 2 Unlimited
On To Grasstown by Cave Story
Won't Get Fooled Again by The Who
Holiday In My Head by Smash Mouth
Porpoise Song (Theme From Head) by The Monkees
Mario Kart Stadium by Nintendo
128 songs →
Outro
vi V I IV V I IV
Once More To See You by Mitski
Fading Like A Flower (Every Time You Leave) by Roxette
Sen o Warszawie by Czeslaw Niemen
Long Story Short by Taylor Swift
What Makes You Beautiful by One Direction
What Makes Beauty by 100 Directions
No Shows by Gerard Way
12 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞
G3 – Bb4
Melody range across 15 semitones
1.43 beats/note
Across 260.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
95% Diatonic
Percentage of notes within the song's key.
66% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
74
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 74/100 — above average
Melodic Complexity
56
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 56/100 — above average
Chord-Melody Tension
42
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 42/100 — below average
Chord Prog. Novelty
42
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 42/100 — below average
Chord-Bass Melody
17
Measures the melodic movement of the bass notes across chord changes.
Percentile: 17/100 — below average

Metrics Radar Chart

Jesus of Suburbia V - Tales of Another Broken HomeAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.
Contributed by
Last modified by
SilentPaaw
Apr 29, 2025
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.