Trends Popular Progressions
TheoryTab / Taylor Swift / Call It What You Want
Call It What You Want
Song Analysis

Call It What You Want Chords and Melody

Call It What You Want
Call It What You Want – Verse
Call It What You Want – Pre-Chorus
Call It What You Want – Chorus
Call It What You Want – Chorus
Call It What You Want – Bridge

Related Music Concepts

Inverted Chords
Using a different bass note to change a chord's sound
Seventh Chords
Adding one more note to the basic chords
Chord-Melody Tension
How much the melody clashes with the underlying chords
Diminished Chords
A chord built from stacked minor thirds — dark and unstable
Song Stats Verse
Key A Major
Tempo 82 BPM
Meter 4/4
Genre Pop, R&B/Soul/Funk, Dance/Electronic
Melody Range F#3 – C#4
Mood Tense, Bright
Most Used Chord IV
Chord Complexity 28
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 17
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 89
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 54
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Pre-Chorus
Key A Major
Tempo 82 BPM
Meter 4/4
Genre Pop, R&B/Soul/Funk, Dance/Electronic
Melody Range E3 – D4
Mood Tense, Bright
Most Used Chord IV
Chord Complexity 28
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 29
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 93
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 54
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Key A Major
Tempo 82 BPM
Meter 4/4
Genre Pop, R&B/Soul/Funk, Dance/Electronic
Melody Range E3 – E4
Mood Tense, Bright
Most Used Chord IV
Chord Complexity 28
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 12
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 62
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 54
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Bridge
Key A Major
Tempo 82 BPM
Meter 4/4
Genre Pop, R&B/Soul/Funk, Dance/Electronic
Melody Range A4 – A5
Mood Tense, Bright
Most Used Chord V
Chord Complexity 38
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 21
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 83
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 25
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Key A Major
Tempo 82 BPM
Meter 4/4
Genre Pop, R&B/Soul/Funk, Dance/Electronic
Melody Range E3 – A5
Mood Tense, Bright
Most Used Chord IV
Chord Complexity 28
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 16
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 83
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 48
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About Call It What You Want

About the Chord Progressions

Section Progression Songs with this progression
Verse
IV I V IV6 vi7
Halo by Bethany Joy Lenz
National Anthem by Lana Del Rey
Ai -'ation- by UNiTE
Bros by Panda Bear
Red by Taylor Swift
It All Makes Sense at the End by Hank Green
100 Years by Five For Fighting
126 songs →
Pre-Chorus
IV I V IV6 vi7
Be My Honeypie by The Weepies
Dancing In My Head - Tom Hangs Remix by Eric Turner vs Avicii
See You Again by Miley Cyrus
Halo by Bethany Joy Lenz
Back To December by Taylor Swift
Headlights by Robin Schulz
Bros by Panda Bear
126 songs →
Chorus
IV I V IV6 vi7
Red by Taylor Swift
The Engine Driver by The Decemberists
Best Mistake by Seaway
Enchanted by Taylor Swift
No Reptiles by Everything Everything
The Gift by Seether
Remember by Ember Mclain
126 songs →
Chorus
IV I V IV6 vi7
Red (Taylor's Version) by Taylor Swift
Valerie by Steve Winwood
The Link by Motooi Sakuraba
The Middle by Zedd
Enchanted by Taylor Swift
Dancing On My Own by Robyn
The Very First Night by Taylor Swift
126 songs →
Bridge
IV V vi7 V IV V vi7
Hyperballad by Bjork
Watson by Brian Fallon
Cinnamon Girl by Prince
Same Ole Love by Anita Baker
Servant of Evil by Mothy
Would You Be So Kind by dodie
THE WORLD REVOLVING by Toby Fox
100 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞 𝄢
E3 – A5
Melody range across 29 semitones
0.47 beats/note
Across 159.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
100% Diatonic
Percentage of notes within the song's key.
51% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
28
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 28/100 — below average
Melodic Complexity
16
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 16/100 — below average
Chord-Melody Tension
83
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 83/100 — above average
Chord Prog. Novelty
48
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 48/100 — below average
Chord-Bass Melody
58
Measures the melodic movement of the bass notes across chord changes.
Percentile: 58/100 — above average

Metrics Radar Chart

Call It What You WantAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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Everything you need to know about TheoryTab.

TheoryTab is the world's largest database of songs analyzed by their chord progressions and melodies. Each entry breaks a song into its harmonic and melodic components using relative notation, making it easy to see the music theory behind any song.
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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.