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TheoryTab / The Beatles / Eight Days A Week
Eight Days A Week
Song Analysis

Eight Days A Week Chords and Melody

Eight Days A Week
Eight Days A Week – Intro
Eight Days A Week – Verse
Eight Days A Week – Chorus
Eight Days A Week – Bridge

Related Music Concepts

Inverted Chords
Using a different bass note to change a chord's sound
Seventh Chords
Adding one more note to the basic chords
Add Chords
A chord with an added tone that enriches its sound
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Chord Progression Novelty
How unusual the chord sequence is compared to other songs
Song Stats Intro
Key D Major
Tempo 135 BPM
Meter 4/4
Genre Rock, Pop
Melody Range A4 – E5
Mood Smooth, Complex, Unexpected, Bright
Most Used Chord I(add9)
Chord Complexity 93
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 21
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 22
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 98
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Verse
Key D Major
Tempo 138 BPM
Meter 4/4
Genre Rock, Pop
Melody Range B3 – G4
Mood Bright
Most Used Chord I
Chord Complexity 53
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 27
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 30
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 48
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Key D Major
Tempo 139 BPM
Meter 4/4
Genre Rock, Pop
Melody Range B3 – G4
Mood Smooth, Unexpected, Bright
Most Used Chord vi
Chord Complexity 66
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 25
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 15
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 71
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Bridge
Key D Major
Tempo 137 BPM
Meter 4/4
Genre Rock, Pop
Melody Range B3 – G4
Mood Bright
Most Used Chord V
Chord Complexity 59
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 12
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 32
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 51
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Key D Major
Tempo 135 BPM
Meter 4/4
Genre Rock, Pop
Melody Range B3 – E5
Mood Smooth, Complex, Unexpected, Bright
Most Used Chord II
Chord Complexity 78
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 16
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 19
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 80
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About Eight Days A Week

About the Key

About the Chord Progressions

Section Progression Songs with this progression
Intro
Iadd9 II42(lyd) ii42
Thinking Of Her While Being With Me by Claire Kuo
Believe by Pomplamoose
O Tannenbaum by South Park
Kaeru no Tame ni - The Prince's Adventure by Kazumi Totaka
Trouble by Iggy Azalea
W Prowincjonalnym Malym Miescie by Grzegorz Turnau
Shangri-La by Waa Wei
61 songs →
Verse
I II7(lyd) IV
Sonic Lost World - Windy Hill Act 1 by Sega
Super Smash Bros Melee - Pollyanna by Nintendo
A Kind Of Magic by Queen
Satellite Of Love by Lou Reed
I Found A Way by Drake Bell
Space Runaway Ideon - Tales of the Stars by Koichi Sugiyama
Trouble by Iggy Azalea
273 songs →
Chorus
vi ii65 vi II7(lyd) I II7(lyd) IV
No other theorytabs with this progression
Bridge
V vi II7(lyd) IV
Annie Waits by Ben Folds
Rooftop Run - Act 1 by Sega
Lagoon - Atland by Hideki Suzuki
Seaside Hill Zone by Sega
I Don't Wanna Be Free - Unplugged by Markiplier and the Gregory Brothers
Oh No by Lawrence
At Thirty by Weibird Wei
75 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞
B3 – E5
Melody range across 17 semitones
1.29 beats/note
Across 112.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
100% Diatonic
Percentage of notes within the song's key.
80% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Edgy Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
78
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 78/100 — above average
Melodic Complexity
16
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 16/100 — below average
Chord-Melody Tension
19
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 19/100 — below average
Chord Prog. Novelty
80
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 80/100 — above average
Chord-Bass Melody
21
Measures the melodic movement of the bass notes across chord changes.
Percentile: 21/100 — below average

Metrics Radar Chart

Eight Days A WeekAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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TheoryTab is the world's largest database of songs analyzed by their chord progressions and melodies. Each entry breaks a song into its harmonic and melodic components using relative notation, making it easy to see the music theory behind any song.
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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.