Trends Popular Progressions
TheoryTab / Hozier / Take Me To Church
Take Me To Church
Song Analysis

Take Me To Church Chords and Melody

by Hozier
Take Me To Church
Take Me To Church – Verse
Take Me To Church – Pre-Chorus
Take Me To Church – Chorus
Take Me To Church – Bridge

Related Music Concepts

Inverted Chords
Using a different bass note to change a chord's sound
Seventh Chords
Adding one more note to the basic chords
Suspended Chords
A chord with built in tension and release
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Diminished Chords
A chord built from stacked minor thirds — dark and unstable
Secondary Chords
Chords that temporarily shift the harmonic center
Song Stats Verse
Key E Minor
Tempo 63 BPM
Meter 3/4
Genre Blues, Rock, Alt-Country, Alternative, Singer-Songwriter
Melody Range C3 – D4
Mood Mellow, Moody
Most Used Chord iv
Chord Complexity 36
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 52
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 46
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 34
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Pre-Chorus
Key G Major
Tempo 131 BPM
Meter 6/4
Genre Blues, Rock, Alt-Country, Alternative, Singer-Songwriter
Melody Range D3 – E4
Mood Tense, Bright
Most Used Chord I
Chord Complexity 31
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 18
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 71
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 39
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Key E Minor
Tempo 129 BPM
Meter 4/4
Genre Blues, Rock, Alt-Country, Alternative, Singer-Songwriter
Melody Range B3 – B4
Mood Tense, Unexpected, Moody
Most Used Chord i
Chord Complexity 63
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 43
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 68
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 71
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Bridge
Key G Major
Tempo 129 BPM
Meter 4/4
Genre Blues, Rock, Alt-Country, Alternative, Singer-Songwriter
Melody Range G3 – G4
Mood Tense, Unexpected, Bright
Most Used Chord IV
Chord Complexity 48
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 56
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 65
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 73
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Tempo 63 BPM
Meter 3/4
Genre Blues, Rock, Alt-Country, Alternative, Singer-Songwriter
Melody Range C3 – B4
Mood Tense, Mellow, Moody
Most Used Chord iv
Chord Complexity 44
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 41
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 64
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 55
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About Take Me To Church

About the Key

About the Chord Progressions

Section Progression Songs with this progression
Verse
i iv
The Importance of Being Idle by Oasis
Curacao  by Cal Tjader
Killing Me Softly by Roberta Flack
Space Dementia by Muse
Mr Saxobeat by Alexandra Stan
Double Rainbow Remix by Schmoyoho
I Can't Get You Off My Mind by Miss Li
4,466 songs →
Pre-Chorus
I IV
Anna Begins by Counting Crows
Give Your Heart A Break by Demi Lovato
All American Girl by Carrie Underwood
Come On Over by Christina Aguilera
A Long December by Counting Crows
Who says you can't go home by Bon Jovi
Say Yes by Elliott Smith
11,661 songs →
Chorus
III v64 V64 i V(hmin) III iv
No other theorytabs with this progression
Bridge
IV I V7/vi vi6
Always by Erasure
U and Ur Hand by Pink
Real World by Matchbox 20
Mine by Taylor Swift
The Cave by Mumford and Sons
Be Like That by 3 Doors Down
Whistle by Flo Rida
2,111 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞 𝄢
C3 – B4
Melody range across 23 semitones
0.80 beats/note
Across 188.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
99% Diatonic
Percentage of notes within the song's key.
60% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
44
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 44/100 — below average
Melodic Complexity
41
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 41/100 — below average
Chord-Melody Tension
64
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 64/100 — above average
Chord Prog. Novelty
55
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 55/100 — above average
Chord-Bass Melody
58
Measures the melodic movement of the bass notes across chord changes.
Percentile: 58/100 — above average

Metrics Radar Chart

Take Me To ChurchAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.