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TheoryTab / Ludwig van Beethoven / Rage Over a Lost Penny
Rage Over a Lost Penny
Song Analysis

Rage Over a Lost Penny Chords and Melody

Rage Over a Lost Penny
Rage Over a Lost Penny – Intro
Rage Over a Lost Penny – Verse
Rage Over a Lost Penny – Pre-Chorus
Rage Over a Lost Penny – Chorus
Rage Over a Lost Penny – Chorus Lead-Out
Rage Over a Lost Penny – Bridge

Related Music Concepts

Seventh Chords
Adding one more note to the basic chords
Secondary Chords
Chords that temporarily shift the harmonic center
Suspended Chords
A chord with built in tension and release
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Chord-Melody Tension
How much the melody clashes with the underlying chords
Inverted Chords
Using a different bass note to change a chord's sound
Diminished Chords
A chord built from stacked minor thirds — dark and unstable
Add Chords
A chord with an added tone that enriches its sound
Bassline Motion
How much the bass moves stepwise between chord roots
7 Fully Diminished 7ths
A four-note diminished chord that strongly pulls toward resolution
Song Stats Intro
Key G Major
Tempo 158 BPM
Meter 2/4
Genre Classical
Melody Range G2 – E6
Mood Smooth, Unexpected, Upbeat, Bright
Most Used Chord I
Chord Complexity 55
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 82
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 22
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 61
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Verse
Key E Minor
Tempo 155 BPM
Meter 2/4
Genre Classical
Melody Range C#3 – C6
Mood Tense, Complex, Upbeat, Moody
Most Used Chord i
Chord Complexity 99
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 96
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 90
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 45
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Pre-Chorus
Key G Minor
Tempo 157 BPM
Meter 2/4
Genre Classical
Melody Range D#2 – F6
Mood Smooth, Complex, Upbeat, Moody
Most Used Chord III
Chord Complexity 82
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 93
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 14
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 49
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Key E Major
Tempo 155 BPM
Meter 2/4
Genre Classical
Melody Range E2 – E6
Mood Smooth, Complex, Unexpected, Upbeat, Bright
Most Used Chord V
Chord Complexity 77
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 82
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 0
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 77
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus Lead-Out
Key G Major
Tempo 156 BPM
Meter 2/4
Genre Classical
Melody Range G3 – G5
Mood Tense, Complex, Unexpected, Upbeat, Bright
Most Used Chord V
Chord Complexity 91
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 98
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 62
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 89
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Bridge
Tempo 154 BPM
Meter 2/4
Genre Classical
Melody Range F2 – F6
Mood Smooth, Complex, Unexpected, Upbeat, Bright
Most Used Chord I
Chord Complexity 73
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 96
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 14
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 79
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Tempo 158 BPM
Meter 2/4
Genre Classical
Melody Range D#2 – F6
Mood Complex, Unexpected, Upbeat, Bright
Most Used Chord V
Chord Complexity 88
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 95
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 28
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 70
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About Rage Over a Lost Penny

About the Key

About the Chord Progressions

Section Progression Songs with this progression
Intro
I vi V7/vi vi V7/V
Higher Love by Kygo Whitney Houston
Black And White World by Elvis Costello
Lied von der Unzulanglichkeit menschlichen Streben by Kurt Weill
Livet Mitt Er Helt Problemfritt by Joker
Thing of Gold by Snarky Puppy
Don Quixote by Nik Kershaw
Viaduct Theme by Mike O'Donnell and Junior Campbell
36 songs →
Verse
i V7(maj)
He's a Pirate by Klaus Badelt
Song of the Caged Bird by Lindsey Stirling
I'm Like A Lawyer by Fall Out Boy
Speak Softly Love - The Godfather Theme by Andy Williams
Paranoid Android by Radiohead
Carol Of The Bells by John Williams
Conquest of Paradise by Vangelis
1,440 songs →
Pre-Chorus
i iv VII III iv6 III64 VII7
Serenade no 13 for strings in G major - II by Wolfgang Amadeus Mozart
0 songs →
Chorus
I V43
Call Me Maybe by Carly Rae Jepsen
All The Small Things by Blink 182
Bad Moon Rising by Creedence Clearwater Revival
Hook by Blues Traveler
Be Like That by 3 Doors Down
That'll Be The Day by Buddy Holly
I Get Around by Beach Boys
14,639 songs →
Chorus Lead-Out
V6 I
Grenade by Bruno Mars
Give Your Heart A Break by Demi Lovato
Cryin' by Aerosmith
White Christmas by Bing Crosby
The Veldt by deadmau5
Anna Begins by Counting Crows
When I Was Your Man by Bruno Mars
15,543 songs →
Bridge
I vi V7/vi vi V65/V I V65
Yodel Odel Obey Me by Phineas and Ferb
Pepper and Salt by Lemon Demon
Prelude in C sharp major BWV 848 by Johann Sebastian Bach
2 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞 𝄢
D#2 – F6
Melody range across 50 semitones
0.33 beats/note
Across 321.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
87% Diatonic
Percentage of notes within the song's key.
70% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
88
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 88/100 — above average
Melodic Complexity
95
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 95/100 — above average
Chord-Melody Tension
28
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 28/100 — below average
Chord Prog. Novelty
70
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 70/100 — above average
Chord-Bass Melody
84
Measures the melodic movement of the bass notes across chord changes.
Percentile: 84/100 — above average

Metrics Radar Chart

Rage Over a Lost PennyAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.