Trends Popular Progressions
TheoryTab / Miracle Musical / The Mind Electric
The Mind Electric
Song Analysis

The Mind Electric Chords and Melody

The Mind Electric
The Mind Electric – Intro
The Mind Electric – Verse
The Mind Electric – Chorus
The Mind Electric – Bridge

Related Music Concepts

Basic Chords
Chords naturally found in the key
Extended Chords
Stacking thirds beyond the 7th to create more complex sounds
Seventh Chords
Adding one more note to the basic chords
Suspended Chords
A chord with built in tension and release
Add Chords
A chord with an added tone that enriches its sound
Inverted Chords
Using a different bass note to change a chord's sound
Secondary Chords
Chords that temporarily shift the harmonic center
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Song Stats Intro
Tempo 150 BPM
Meter 4/4
Genre Indie
Melody Range G3 – D5
Mood Simple, Classic, Upbeat, Bright
Most Used Chord I
Chord Complexity 14
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 64
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 42
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 15
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats Verse
Tempo 150 BPM
Meter 4/4
Genre Indie
Melody Range G3 – D5
Mood Unexpected, Upbeat, Bright
Most Used Chord I
Chord Complexity 48
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 69
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 29
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 65
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Tempo 83 BPM
Meter 4/4
Genre Indie
Melody Range Eb4 – F6
Mood Unexpected, Bright
Most Used Chord vi
Chord Complexity 60
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 31
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 34
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 64
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Bridge
Key C Minor
Tempo 150 BPM
Meter 4/4
Genre Indie
Melody Range G3 – G4
Mood Tense, Upbeat, Moody
Most Used Chord i
Chord Complexity 60
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 95
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 87
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 56
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Tempo 150 BPM
Meter 4/4
Genre Indie
Melody Range G3 – F6
Mood Upbeat, Bright
Most Used Chord I
Chord Complexity 47
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 78
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 50
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 50
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About The Mind Electric

About the Key

About the Chord Progressions

Section Progression Songs with this progression
Intro
I vi ii V
What's Going On by Marvin Gaye
McLarty Party People by Danny Baranowsky
The Sign by Ace Of Base
All of Me by John Legend
Super Smash Bros Brawl- Village of the Blue Maiden by Nintendo
Aoi Photograph by Seiko Matsuda
Adventures of the Gummi Bears by Gummi Bears
790 songs →
Verse
Iadd9 vi ii7 V
Everyday by Buddy Holly
Bust Your Knee Caps by Pomplamoose
Primadonna by Marina and the Diamonds
I Saw The Sign by Barden Bellas - Pitch Perfect
Kokomo by The Beach Boys
Sherry by The Four Seasons
What's Going On by Marvin Gaye
790 songs →
Chorus
vi V6 I IV vi7 iii IV
All That I'm Craving by Aidan Bissett
Eventually by Tame Impala
1 songs →
Bridge
i V(maj)
One Man's Dream by Yanni
Butterflies and Hurricanes by Muse
Cancion Del Mariachi by Los Lobos
Ordinary World by Duran Duran
Those Were The Days by Mary Hopkin
Symphony no 40 in G minor - I by Wolfgang Amadeus Mozart
Speak Softly Love - The Godfather Theme by Andy Williams
1,439 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞
G3 – F6
Melody range across 34 semitones
0.92 beats/note
Across 206.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
94% Diatonic
Percentage of notes within the song's key.
66% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
47
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 47/100 — below average
Melodic Complexity
78
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 78/100 — above average
Chord-Melody Tension
50
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 50/100 — average
Chord Prog. Novelty
50
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 50/100 — average
Chord-Bass Melody
54
Measures the melodic movement of the bass notes across chord changes.
Percentile: 54/100 — above average

Metrics Radar Chart

The Mind ElectricAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

Created and Maintained by You

TheoryTab is the world's largest collection of songs analyzed by their underlying chord progressions and melodies. Every tab is crowd-sourced and community-maintained — contributed by musicians like you who want to help others understand how music works.

Unlike traditional tabs or sheet music, TheoryTabs reveal the function of each chord and note, making it easy to see patterns, compare songs, and discover what makes your favorite music tick.

Become a Contributor
Hookpad screenshot

Made with Hookpad

Hookpad is an intelligent music sketchpad that helps you write amazing chord progressions and melodies. It uses the tools of music theory to help you find the sounds you're looking for.

Frequently Asked
Questions

Everything you need to know about TheoryTab.

TheoryTab is the world's largest database of songs analyzed by their chord progressions and melodies. Each entry breaks a song into its harmonic and melodic components using relative notation, making it easy to see the music theory behind any song.
TheoryTabs are crowd-sourced and community-maintained. Musicians use Hookpad — our intelligent music sketchpad — to transcribe songs by ear, identifying the chords and melodies and entering them in a standardized format that anyone can read and learn from.
Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
Yes! Anyone can contribute. Visit our Contributor Guide to learn how to use Hookpad to transcribe songs. Your contributions help musicians worldwide learn and understand music theory through real songs.

All of our TheoryTabs are contributed to our site by users like you! Every TheoryTab can be revised at any time by any registered user. Each TheoryTab has a full version history similar to Wikipedia.

To edit a TheoryTab, follow this guide.

Please note: Hooktheory is a collaborative, community-driven project, and maintaining quality and respectful contributions is essential. Users may be flagged if they:

  • Consistently submit inaccurate, misleading, or intentionally incorrect TheoryTabs.
  • Delete or overwrite good work from other contributors without reason.
  • Use offensive, inappropriate, or spammy content in their submissions.
  • Repeatedly ignore transcription guidelines or community feedback.
Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.