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TheoryTab / Peabo Bryson / If Ever You're in My Arms Again
If Ever You're in My Arms Again
Song Analysis

If Ever You're in My Arms Again Chords and Melody

If Ever You're in My Arms Again
If Ever You're in My Arms Again – Verse
If Ever You're in My Arms Again – Pre-Chorus
If Ever You're in My Arms Again – Chorus
If Ever You're in My Arms Again – Bridge

Related Music Concepts

Inverted Chords
Using a different bass note to change a chord's sound
Extended Chords
Stacking thirds beyond the 7th to create more complex sounds
Suspended Chords
A chord with built in tension and release
Add Chords
A chord with an added tone that enriches its sound
Chord Progression Novelty
How unusual the chord sequence is compared to other songs
Seventh Chords
Adding one more note to the basic chords
Secondary Chords
Chords that temporarily shift the harmonic center
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Song Stats Verse
Tempo 96 BPM
Meter 4/4
Genre R & B, Pop, Soul
Melody Range Eb4 – Bb4
Mood Complex, Unexpected, Bright
Most Used Chord I(add9)
Chord Complexity 81
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 10
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 28
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 98
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Pre-Chorus
Key B Major
Tempo 96 BPM
Meter 4/4
Genre R & B, Pop, Soul
Melody Range F#4 – E5
Mood Smooth, Unexpected, Bright
Most Used Chord I(add9)
Chord Complexity 51
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 26
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 13
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 73
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Tempo 96 BPM
Meter 4/4
Genre R & B, Pop, Soul
Melody Range Ab3 – Ab4
Mood Complex, Unexpected, Bright
Most Used Chord V
Chord Complexity 75
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 37
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 31
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 65
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Bridge
Tempo 96 BPM
Meter 4/4
Genre R & B, Pop, Soul
Melody Range Bb3 – Bb4
Mood Complex, Unexpected, Bright
Most Used Chord vi
Chord Complexity 86
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 92
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 35
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 88
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Tempo 96 BPM
Meter 4/4
Genre R & B, Pop, Soul
Melody Range Ab3 – E5
Mood Smooth, Complex, Unexpected, Bright
Most Used Chord V
Chord Complexity 77
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 50
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 23
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 86
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About If Ever You're in My Arms Again

About the Chord Progressions

Section Progression Songs with this progression
Verse
Iadd9 IV64add6 V9sus4
Jupiter by Ayaka Hirahara
Basket Case by Green Day
Hallelujah by Leonard Cohen
Smile Smile Smile by My Little Pony
The Road And The Radio by Kenny Chesney
Who says you can't go home by Bon Jovi
Beneath Your Beautiful by Labrinth feat Emeli Sande
3,988 songs →
Pre-Chorus
Iadd9 IV7 ii7 vi I V
Tornado by Rhapsody of Fire
Night Mime by Melanie Martinez
1 songs →
Chorus
I IVadd9 V iii7 vi7 ii7 Vsus4add9
Girl by Weibird Wei
Compromise by Jolin Tsai
Actor by Joker Xue
Ai no Hana by Aimyon
Nemen by NDX AKA
I Should Be So Lucky by Kylie Minogue
Vivace by ZAQ
47 songs →
Bridge
vi7 viadd6(lyd)
Game Face by NMIXX
I Do Believe by Will Downing
Fantastic World by Quad Star System
Jealous Guy by John Lennon
Can't the future just wait by Kaden Mackey
Can't the future just wait by Kaden Mackey
She Lays Down by The 1975
9 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞
Ab3 – E5
Melody range across 20 semitones
0.92 beats/note
Across 138.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
100% Diatonic
Percentage of notes within the song's key.
69% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Edgy Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
77
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 77/100 — above average
Melodic Complexity
50
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 50/100 — average
Chord-Melody Tension
23
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 23/100 — below average
Chord Prog. Novelty
86
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 86/100 — above average
Chord-Bass Melody
55
Measures the melodic movement of the bass notes across chord changes.
Percentile: 55/100 — above average

Metrics Radar Chart

If Ever You're in My Arms AgainAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.
Contributed by
Last modified by
ras662
May 28, 2025
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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.