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TheoryTab / Weezer / (Girl We Got A) Good Thing
(Girl We Got A) Good Thing
Song Analysis

(Girl We Got A) Good Thing Chords and Melody

by Weezer
(Girl We Got A) Good Thing
(Girl We Got A) Good Thing – Verse
(Girl We Got A) Good Thing – Chorus
(Girl We Got A) Good Thing – Bridge
(Girl We Got A) Good Thing – Solo

Related Music Concepts

Basic Chords
Chords naturally found in the key
Inverted Chords
Using a different bass note to change a chord's sound
Seventh Chords
Adding one more note to the basic chords
Add Chords
A chord with an added tone that enriches its sound
Secondary Chords
Chords that temporarily shift the harmonic center
Chord Progression Novelty
How unusual the chord sequence is compared to other songs
Bassline Motion
How much the bass moves stepwise between chord roots
Song Stats Verse
Tempo 128 BPM
Meter 4/4
Genre Rock, Pop
Melody Range G4 – Eb5
Mood Simple, Classic, Bright
Most Used Chord I
Chord Complexity 7
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 24
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 53
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 19
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats Chorus
Tempo 128 BPM
Meter 4/4
Genre Rock, Pop
Melody Range Bb4 – C6
Mood Unexpected, Bright
Most Used Chord ii
Chord Complexity 57
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 28
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 59
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 75
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Bridge
Tempo 129 BPM
Meter 4/4
Genre Rock, Pop
Melody Range Eb5 – C6
Mood Tense, Complex, Unexpected, Bright
Most Used Chord vi
Chord Complexity 72
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 60
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 89
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 97
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Solo
Tempo 128 BPM
Meter 4/4
Genre Rock, Pop
Melody Range F4 – Eb6
Mood Tense, Bright
Most Used Chord IV
Chord Complexity 37
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 47
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 82
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 42
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats All Sections
Tempo 128 BPM
Meter 4/4
Genre Rock, Pop
Melody Range F4 – Eb6
Mood Tense, Unexpected, Bright
Most Used Chord IV
Chord Complexity 46
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 39
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 76
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 63
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About (Girl We Got A) Good Thing

About the Key

About the Chord Progressions

Section Progression Songs with this progression
Verse
I iii IV
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If We Hold On Together by Diana Ross
Miss Misery by Elliott Smith
1,054 songs →
Chorus
ii Vadd6 I IVadd6
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Bridge
vi V65/vi I64 V6/V IVadd6 Vadd6
Fifteen by Taylor Swift
Sayonara Silent Night by Kazuma Kiryu
2 Become 1 by Spice Girls
Only For You by NieN
when the party's over by Billie Eilish
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34 songs →
Solo
I IV ii V
Bad Day by Daniel Powter
Love Is All Around by Wet Wet Wet
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465 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞
F4 – Eb6
Melody range across 22 semitones
0.91 beats/note
Across 184.8 beats of melody
Stepwise Motion
Jumpiness
Repeaty
99% Diatonic
Percentage of notes within the song's key.
61% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
46
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 46/100 — below average
Melodic Complexity
39
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 39/100 — below average
Chord-Melody Tension
76
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 76/100 — above average
Chord Prog. Novelty
63
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 63/100 — above average
Chord-Bass Melody
91
Measures the melodic movement of the bass notes across chord changes.
Percentile: 91/100 — above average

Metrics Radar Chart

(Girl We Got A) Good ThingAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.