Trends Popular Progressions
TheoryTab / The Voidz / Pointlessness
Pointlessness
Song Analysis

Pointlessness Chords and Melody

Pointlessness
Pointlessness – Intro
Pointlessness – Verse
Pointlessness – Chorus
Pointlessness – Bridge

Related Music Concepts

Inverted Chords
Using a different bass note to change a chord's sound
Seventh Chords
Adding one more note to the basic chords
Secondary Chords
Chords that temporarily shift the harmonic center
Diminished Chords
A chord built from stacked minor thirds — dark and unstable
7 Fully Diminished 7ths
A four-note diminished chord that strongly pulls toward resolution
Altered Chords
Altered (raised or lowered) notes create tension and complexity in chords
Borrowed Chords
Using chords from parallel modes for contrast and emotion
Chord-Melody Tension
How much the melody clashes with the underlying chords
Suspended Chords
A chord with built in tension and release
Song Stats Intro
Tempo 65 BPM
Meter 4/4
Genre Rock, Ambient/Downtempo, Experimental/Avant-Garde
Melody Range G#3 – B3
Mood Smooth, Unexpected, Mellow, Moody
Most Used Chord i
Chord Complexity 47
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 6
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 15
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 64
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Verse
Tempo 65 BPM
Meter 4/4
Genre Rock, Ambient/Downtempo, Experimental/Avant-Garde
Melody Range G#3 – D#5
Mood Tense, Complex, Unexpected, Mellow, Moody
Most Used Chord iv
Chord Complexity 93
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 84
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 92
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 89
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Chorus
Tempo 65 BPM
Meter 4/4
Genre Rock, Ambient/Downtempo, Experimental/Avant-Garde
Melody Range E3 – C#4
Mood Unexpected, Mellow, Moody
Most Used Chord i
Chord Complexity 56
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 30
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 49
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 78
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Song Stats Bridge
Key G Major
Tempo 65 BPM
Meter 4/4
Genre Rock, Ambient/Downtempo, Experimental/Avant-Garde
Melody Range E4 – B4
Mood Mellow, Bright
Most Used Chord IV
Chord Complexity 45
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 74
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 60
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 35
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Concepts
Song Stats All Sections
Tempo 65 BPM
Meter 4/4
Genre Rock, Ambient/Downtempo, Experimental/Avant-Garde
Melody Range E3 – D#5
Mood Unexpected, Mellow, Moody
Most Used Chord i
Chord Complexity 67
Chord Complexity: Tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity 50
Melodic Complexity: Reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension 58
Chord-Melody Tension: Quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Prog. Novelty 70
Chord Prog. Novelty: Measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.

About Pointlessness

About the Key

About the Chord Progressions

Section Progression Songs with this progression
Intro
i64 v65/v i III7 VI VII
No other theorytabs with this progression
Verse
iv VII i III
Princess Of China ft Rihanna by Coldplay
Daniel by Bats For Lashes
Ese Camino by Julieta Venegas
Zero Two - Kirby 64 by Jun Ishikawa
Yellow Brick Road by Elton John
Can't Catch Me Now by Olivia Rodrigo
Stole The Show by Kygo
79 songs →
Chorus
VI i64
Sultans of Swing by Dire Straits
Retrograde by James Blake
Champagne Showers by LMFAO
Stairway to Heaven by Led Zeppelin
The Chain by Fleetwood Mac
Duele El Amor ft Ana Torroja by Aleks Syntek
Drive By by Train
4,255 songs →
Bridge
IV V7 I7 vi
I Will Be by Leona Lewis
Brown Eyed Girl by Van Morrison
Aoi Photograph by Seiko Matsuda
Eternal Flame by The Bangles
The Way I Am by Ingrid Michaelson
Confusion and Frustration in Modern Times by Sum 41
The Thin Ice by Pink Floyd
789 songs →

About the Melody

Melody data is compiled from all analyzed melody sections, so depending on how a user analyzed a song, "melody" might include instrumental notes.

𝄞 𝄢
E3 – D#5
Melody range across 23 semitones
0.83 beats/note
Across 132.0 beats of melody
Stepwise Motion
Jumpiness
Repeaty
94% Diatonic
Percentage of notes within the song's key.
67% Chord Tones
Percentage of notes that fall on a chord tone of the underlying harmony.
Mixed Consonance
How smoothly the melody blends with the harmony (0 = dissonant, 1 = consonant).
Loose Syncopation
How often the melody emphasizes off-beats. Higher = more syncopated.

About the Metrics

Chord Complexity
Chord Complexity tracks when a song goes beyond simple three-note chords—either by adding extra tones (like 7ths or add9s) or by borrowing notes from outside the key—creating richer, more sophisticated harmonies.
Melodic Complexity
Melodic Complexity reflects two factors: the use of notes outside the key and rhythmic syncopation, together capturing how intricate or surprising a melody feels.
Chord-Melody Tension
Chord-Melody Tension quantifies how often melody notes fall outside the current chord, producing dissonance that creates a sense of instability.
Chord Progression Novelty
Chord Progression Novelty measures how uncommon a song's chord changes are compared to others in the Hooktheory database, highlighting progressions that deviate from typical patterns.
Chord-Bass Melody
Chord–Bass Melody evaluates how smoothly the bass moves between chords, scoring higher when it travels step-wise, ascending or descending, instead of jumping directly between root position chords.

Hooktheory's metrics are calculated against the entire database of analyzed songs, where 50 is the "average song." Learn more about each of these metrics here.

Chord Complexity
67
Measures how diverse and sophisticated the chord vocabulary is in this song.
Percentile: 67/100 — above average
Melodic Complexity
50
Measures the range, intervallic variety, and rhythmic complexity of the melody.
Percentile: 50/100 — average
Chord-Melody Tension
58
Measures how much the melody notes clash or harmonize with the underlying chords.
Percentile: 58/100 — above average
Chord Prog. Novelty
70
Measures how unusual or unexpected the chord progressions are compared to common patterns.
Percentile: 70/100 — above average
Chord-Bass Melody
45
Measures the melodic movement of the bass notes across chord changes.
Percentile: 45/100 — below average

Metrics Radar Chart

PointlessnessAverage Song

BPM Comparison

Melody Distribution

1
2
3
4
5
6
7

Melodic Intervals

Distribution of note-to-note jumps in semitones (negative = downward, positive = upward)

Note Durations

How long each note is held (in beats)

Syncopation

How many notes fall on each level of metric strength (0 = on-beat, higher = increasingly off-beat)

Level 0
Notes that fall on the downbeat — the strongest metric position in the measure.
Level 1
Notes on a secondary strong beat (e.g. beat 3 in 4/4) — still firmly on the grid.
Level 2
Notes on the remaining primary beats (2 and 4 in 4/4) — moderate metric weight.
Level 3
Notes on eighth-note offbeats — between the primary beats. Audibly syncopated.

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Roman numerals represent chords by their position in a key rather than by letter name. For example, in the key of C major, I = C, IV = F, V = G, and vi = Am. This relative notation makes it easy to compare chord progressions across songs in different keys. Click here to learn more about relative notation.
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Relative notation describes chords and notes by their function within a key, rather than by their absolute pitch. This means a I–V–vi–IV progression is the same pattern whether the song is in C major, G major, or any other key — making it much easier to recognize common patterns across songs.