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Altered Chord

Altered chords are a type of chord modification in which one or more scale degrees in a standard chord are raised or lowered by a step. This alters the quality of the chord, often increasing the amount of tension it has, and can be used to add more complexity and color to a chord progression. Alterations are most commonly applied to the fifth or to an extension (such as the ninth or eleventh), and while any chord can be altered, they are most commonly found in V chords and secondary dominants.

For example, a V chord in the key of C major consists of the scale degrees 5, 7, and 2 (G, B, and D). An altered dominant chord might modify the fifth (D) by lowering it to D, creating a V(5), or raising it to D♯, creating a V(♯5). Similarly, extensions like the ninth (A) can be altered by being raised to A♯, creating a V(♯9) chord.

More than one alteration is possible, creating complex chords like V7(♯59). A V7(♯59) chord in C major, for instance, would contain G, B, D♯, and A.

Below is a normal G7:

Below is an altered G7(♯5):

These alterations introduce tension, as the modified chord tones create dissonances that seek resolution. Altered chords are especially common in jazz and blues, as well as in other genres that make use of more complex harmonies.

One common use of altered chords is in cadences from V7 to I, where the raised or lowered tones in the V7 chord resolve smoothly to scale tones in the I chord. For instance, a V7(♯5) in C major (G, B, D♯, F) naturally resolves to I (C, E, G) as the altered fifth (D♯) moves up to E, strengthening the resolution.

The song "You've Got a Friend in Me" from the movie Toy Story by Randy Newman is an example of a song that uses altered dominant chords to add richness and tension to its progressions.

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Other songs that use altered chords

Click on the following songs to see their chords and melody in the TheoryTab database.

Say Say Say
by Paul McCartney - Michael Jackson
Toxic
by Britney Spears
Here There And Everywhere
by The Beatles
We Intertwined
by The Hush Sound
Museum Of Idiots
by They Might Be Giants
Mario Paint - Creative Exercises
by Nintendo
Oh Darling
by The Beatles
Peg
by Steely Dan
You Never Give Me Your Money
by The Beatles
Dark Side
by Kelly Clarkson
**** You
by Lily Allen
Bridge over Troubled Water
by Simon and Garfunkel
I'm Like A Lawyer
by Fall Out Boy
Back and Forth
by Haywyre
A Day In The Life
by The Beatles
Soviet National Anthem
by Alexander Alexandrov
Lovefool
by The Cardigans
Light My Fire
by The Doors
The Simpsons Main Title Theme
by Danny Elfman
Family Guy - Theme Song
by Walter Murphy
Into The Great Wide Open
by Tom Petty
Don't Know Why
by Norah Jones
In-A-Gadda-Da-Vida
by Iron Butterfly
New
by Paul McCartney
Orinico Flow
by Enya
Cascade of the Seven Waterfalls
by Azymuth
Badinerie
by Johann Sebastian Bach
Yoshi's Island - Flower Garden
by Nintendo
Bad Day
by Daniel Powter
Once Upon A Dream Maleficent
by Disney Lana Del Rey
I Don't Want To Spoil The Party
by The Beatles
Super Mario Galaxy - Gusty Garden Galaxy
by Nintendo
Want You Gone
by Jonathan Coulton and Ellen McLain
Life On Mars
by David Bowie
Yeul's Theme
by Masashi Hamauzu
Take A Bow
by Madonna
Space Dementia
by Muse
He's Able
by Deitrick Haddon
Oath to Order
by Koji Kondo
Uninvited
by Alanis Morissette
Click Clock Wood
by Grant Kirkhope
Michelle
by The Beatles
Dancing In The Moonlight
by King Harvest
Where Your Eyes Don't Go
by They Might Be Giants
I Am the Walrus
by The Beatles
Have yourself a merry little Christmas
by Michael Buble
Symphony no 40 in G minor - I
by Wolfgang Amadeus Mozart
What a Wonderful World
by Louis Armstrong
Mamma Mia
by ABBA
Everything's not lost
by Coldplay
Superstition
by Stevie Wonder
Piano Sonata No 14 ''Moonlight'' 1st Movement
by Ludwig Van Beethoven
Dance of the Sugar Plum Fairy
by Pyotr Ilyich Tchaikovsky
Skyfall
by Adele
Hellfire
by Disney
Here Comes Trouble
by Grant Kirkhope
Final Toccata
by Michiru Yamane
Can't Take My Eyes Off You
by Franki Valli
All I Want For Christmas Is You
by Mariah Carey
All The Things You Are
by Jerome Kern
If I Fell
by The Beatles
Nocturne in Eb
by Frederic Chopin
Smoke Gets In Your Eyes
by Jerome Kern
The Continuing Story of Bungalow Bill
by The Beatles
Dead Giveaway
by Schmoyoho
Reflection
by Disney
American Dad - Theme Song
by Walter Murphy
I Believe I Can Fly
by R Kelly
Don't Talk - Put Your Head On My Shoulder
by The Beach Boys
Mr Sandman
by The Chordettes
Turn Your Love Around
by George Benson
My Way
by Frank Sinatra
Stairway to Heaven
by Led Zeppelin
Forget You
by Cee Lo Green
American Woman
by The Guess Who
Born To Be Wild
by Steppenwolf
Kirby's Epic Yarn - Big-Bean Vine
by Nintendo
It Won't Be Long
by The Beatles
Wonderful
by The Beach Boys
Mas Que Nada
by Sergio Mendes and Brazil '66
Bohemian Rhapsody
by Queen
Once Upon A December
by Anastasia
Ken's Theme
by Capcom
If I Could
by 1927
Hello
by Lionel Richie

Contents

Music Fundamentals

The 7 notes that are the building blocks of a song
The spacing between notes

Functional Harmony

The study of how chords work
Establishing the set of notes and chords used in a song
A powerful framework for understanding how songs work
Numbering notes within a key
Numbering chords within a key

Basic Chord Concepts

Chords naturally found in the key
Different chord sounds and their function
Different ways of playing or arranging the same chord
Ending a musical idea

Melody

A song's rhythmic framework
Understanding melody tension over chords

Advanced Chords

Using a different bass note to change a chord's sound
Adding one more note to the basic chords
Chords that temporarily shift the harmonic center
A chord with built in tension and release
A chord with an added tone that enriches its sound
Using chords from parallel modes for contrast and emotion
Jazz harmonic technique replacing dominant chords with chords a tritone away
Altered (raised or lowered) notes create tension and complexity in chords

Advanced Concepts in Harmony

Two ways to change a song's key
Borrowing chords from another key
New scales and home base chords for a different mood
Using notes within and outside a song's key
Progressions that connect the bass