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Tritone Substitution

Tritone substitution is a harmonic technique commonly used in jazz harmony where a dominant seventh chord is replaced by another dominant seventh chord whose root is a tritone away. This substitution works because both chords share the same tritone interval between their third and seventh, creating a smooth voice-leading connection while adding harmonic sophistication to a progression.

For example, in the key of C major, the V7 chord is G7 (G-B-D-F). Its tritone substitute would be D7 (D-F-A-C). Notice that both chords contain the tritone B-F, though they appear as different chord tones in each chord.

The most common application of tritone substitution occurs in ii-V-I progressions, where the V7 chord is replaced by its tritone substitute. In C major, the progression Dm7 - G7 - CMaj7 becomes Dm7 - D7 - CMaj7.

Below is a normal ii-V-I progression in C major:

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Below is the same progression with tritone substitution:

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The effectiveness of tritone substitution lies in its smooth bass line motion. When moving from D7 to C, the bass moves chromatically down by half-step, creating a more sophisticated sound than the traditional perfect fifth leap from G to C.

Tritone substitutions can also be applied to secondary dominants. For instance, in a progression that includes A7 (the V7/ii in C major), this can be substituted with E7, creating richer harmonic movement.

This technique is particularly prevalent in jazz standards and bebop, where it adds harmonic complexity while maintaining functional harmony. The tritone substitute often includes altered extensions like 5, ♯9, or 9 to further enhance its color and tension.

Songs that make effective use of tritone substitution include many jazz standards where sophisticated harmonic movement is desired while maintaining clear tonal function.

For more information on tritone substitution, check out our blog article on the topic: The Ultimate Guide to Tritone Substitutions in Popular Music.

Songs that use tritone substitutions

Click on the following songs to see their chords and melody in the TheoryTab database.

The Caves of Altamira
by Steely Dan
Heartaches
by Al Bowlly
PPPP PaPiPuPePo
by Emamouse
Blackout
by Muse
Dark Sweet Lady
by George Harrison
At the River
by Groove Armada
Shooting Star
by Lovelyz
All I Can Do
by Carpenters
Sydney
by Caravan Palace
Bee Of The Bird Of The Moth
by They Might Be Giants
Libertine
by Asako Toki
Burden In My Hand
by Soundgarden
Crosstown Traffic
by Jimi Hendrix
Dream A Little Dream Of Me
by Doris Day
Just the Two of Us
by Grover Washington Jr and Bill Withers
A Cold Sweat
by Danny Baranowsky
Piano Sonata No 8 ''Pathetique'' - 3rd Movement
by Ludwig Van Beethoven
Nemuri No Mori
by Tomita Lab
The Hardest Button to Button
by The White Stripes
Museum Of Idiots
by They Might Be Giants
The Girl From Ipanema
by Astrud Gilberto and Stan Getz
Chili con Carne
by The Real Group
SAIKYOUTICPOLKA
by Hololive
Etude in C Major Op 10 No 1
by Frederic Chopin
Sherbet Sunset
by Little Simz
Carnival
by The Cardigans
Don't Let's Start
by They Might Be Giants
SUPER-REFLEX
by Yousuke Yasui
Sonic R - Can You Feel The Sunshine
by Sega
Kass' Theme - Zelda Breath of the Wild
by Nintendo
Corpse Voyage - Be of Good Cheer
by ZUN
Like Humans Do
by David Byrne
Vienna
by Billy Joel
Your New Cuckoo
by The Cardigans
Have yourself a merry little Christmas
by Michael Buble
We'll All Go Together When We Go
by Tom Lehrer
Hot In Herre
by Nelly
Blend-S OP
by Blend A
Jellyfish
by Koronba
Push And Pull
by Twice
If I Fell
by The Beatles
Into The Great Wide Open
by Tom Petty
Funky Stadium - Mario Kart Wii
by Nintendo
Sucklet's Song
by Emamouse
Got It - Mario Party 3
by Ichiro Shimakura
Ungodly Hour
by Chloe x Halle
REEEWIND (Tomita Lab Remix)
by m-flo
Fire Emblem Fates - Road Taken
by Nintendo
I'm Waiting for the Day
by The Beach Boys
Bear in the Big Blue House (Theme)
by Playhouse Disney
I'm In Between
by Macy Gray
Like a Queen
by Tomita Lab
Thomas the Tank Engine Theme
by Mike O'Donnell and Junior Campbell
Mr Sandman
by The Chordettes
Toxic
by Britney Spears
Baggy Trousers
by Madness
Radio Song
by Esperanza Spalding
Cannibal
by Tally Hall
That Thing You Do
by The Wonders
All I Wanna Do
by Sheryl Crow
Lolita
by Lana Del Rey
All By Myself
by Celine Dion
Cocaine
by Eric Clapton
Beginner's Luck
by King Gizzard And The Lizard Wizard
Shovel Knight - High Above the Land
by Jake Kaufman
Super Mario World Title Theme
by Koji Kondo
Love Song
by Yoo Seung-jun
Final Destination - Super Smash Bros for Wii U
by Nintendo
Independence Day
by David Byrne
Laura
by Billy Joel
Black Velvet
by Alannah Myles
Stay Soft
by Mitski
Love Like You - Steven Universe Credits Theme
by Aivi Tran and Steven 'surasshu' Velema
Last Words Of A Shooting Star
by Mitski
Baltimore Oriole
by George Harrison
Lingus
by Snarky Puppy
Route 228 Night - Pokemon Diamond and Pearl
by Hitomi Sato
DK Summit - Mario Kart Wii
by Nintendo
Rhapsody In Blue
by George Gershwin
Feather Fiend - Donkey Kong Country Returns
by Nintendo
Can't Let Go
by Earth Wind and Fire
I Want You (She's So Heavy)
by The Beatles
Superior - Dynasty Warriors 3
by Koei
Nobody Else Quite Like You
by Rob Cantor
The Ride Of The Mind
by Rodrigo y Gabriela
The Entertainer
by Scott Joplin

Contents

Music Fundamentals

The 7 notes that are the building blocks of a song
The spacing between notes

Functional Harmony

The study of how chords work
Establishing the set of notes and chords used in a song
A powerful framework for understanding how songs work
Numbering notes within a key
Numbering chords within a key

Basic Chord Concepts

Chords naturally found in the key
Different chord sounds and their function
Different ways of playing or arranging the same chord
Ending a musical idea

Melody

A song's rhythmic framework
Understanding melody tension over chords

Advanced Chords

Using a different bass note to change a chord's sound
Adding one more note to the basic chords
Chords that temporarily shift the harmonic center
A chord with built in tension and release
A chord with an added tone that enriches its sound
Using chords from parallel modes for contrast and emotion
Jazz harmonic technique replacing dominant chords with chords a tritone away
Altered (raised or lowered) notes create tension and complexity in chords

Advanced Concepts in Harmony

Two ways to change a song's key
Borrowing chords from another key
New scales and home base chords for a different mood
Using notes within and outside a song's key
Progressions that connect the bass